Submissions from 2012
A Schema-Theoretic Approach to Agreement and Disagreement in Literary Interpretation, Amy Fairgrieve '12
Thy Father and Thy Mother, Natalie Lalagos '12
exercising with my demons, Bryn Saunders '12
water burial, Korey Williams '12
Rural Queen, Amanda Williams '12
Submissions from 2010
Only Dull Readers Escape: Framing Humor and Materiality in Stephen Crane's The Black Riders and other lines, Andrew J. Dorkin
The Dark Places of Psychology: Consciousness in Virginia Woolf's Major Novels, Linda Martin
Submissions from 2008
Responding to Romanticism, Valerie Higgins '08
Submissions from 2007
Stepping through the Thin, Crackly Crust of the Present: Historians, Biographers, Novelists and Jack Burden, Lindsay A. Theisen '07
Raiding the Archive: A Study in the Veneration and Visibility of the Lindisfarne Gospels, Rebecca Welzenbach '07
Much Ado About Nothing's Criticism of the Renaissance Patriarchy, Kristen Zomparelli '07
Submissions from 2006
and I will open and close my petals, Molly M. McLay '06
"Spirit of Health" and "Goblin Damned": The Ghost of King Hamlet as a Symbol for the Religious Ambialence in England during the Religious Reformation, Bridget O'Connor '06
Submissions from 2005
if: Poems from the Unstandardized Perspective, Douglas Pietrzak '05
Submissions from 2002
My Little Force Explodes: A Re-creation of the Assembly of Emily Dickinson's Fasicicle 18, Katie Brokaw '02
Submissions from 2000
The Power of Perception and Origin Myth: Reconsidering the Origins of the Arthurian Legend, Rae Marie Marotta '00
Submissions from 1999
From Literal Path to Transcendent Journey: The Pilgrim's Movement Throughout Inferno, Shelley Manning '99
Submissions from 1998
Misery and Madness?: The Irish Face in Modern Irish Drama, Rob Mawyer '98
"Who is't can read a woman?": Shakespeare's Cymbeline and the Renaissance Woman, Nicole Williams '98
Submissions from 1997
Adult Attachment Style and Attitudinal Assessment of Preferred Timing of First Marriage, Elizabeth J. Arthur '97
Expressions of Divine Order in the Canterbury Tales, Nicole Buscemi '97
Sexuality and the Balance of Power in the Canterbury Tales, Sarah C. Zumdahl '97
Submissions from 1996
Descent into Chaos: Ways of Reading St. Thecla, Betsy Phillips '96
Submissions from 1995
The Living Metaphor of Orlando: Duration, Gender, and the Artistic Self, Michele L. Herrman '95
A Legacy of Love, Jennifer Shurtleff '95
Submissions from 1994
Order and Orderlessness in Gravity's Rainbow: A Dialectic, Richard A. House '94
Demythifying Melville: Charles Johnson's Middle Passage and the Nightmare of Slavery, Rachel Palencia '94
Submissions from 1993
Eating Away: A Study of Women's Relationship with Food in Literature, Sheila Bauer '93
(Un)dress and (Dis)empowerment): The Relationship Between Women and Dress from the Cavaliers to the Romantics, Elashik A. Kimberly '93
Submissions from 1991
Mediating Between the Mediums: The Changing Shakespearean World, Rebecca Ewert '91
Alcohol Advertising: Freedom of Speech v. Social Responsibility, Reona Jack '91
Submissions from 1975
George Elliot: A Conflict of Heart and Mind, Janet Polsgrove '75
Submissions from 1966
The Ubermensch-Artist of Friedrich Nietsche and Thomas Mann, Dale Whitney
Submissions from 1964
Tragic Vision in the Age of Shakespeare, Mr. Fredman, Patricia Rioux, Sharon Martin, Charlotte Mach, Larry Knilands, Sherron McFalls, and Marilyn Nickerson
Submissions from 1962
Advisors of the age of reason: The periodical essays of Steele, Addison, Johnson, and Goldsmith, Carol Meyers