<?xml version="1.0" encoding="utf-8" ?>
<rss version="2.0">
<channel>
<title>Honors Projects</title>
<copyright>Copyright (c) 2013 Illinois Wesleyan University All rights reserved.</copyright>
<link>http://digitalcommons.iwu.edu/german_honproj</link>
<description>Recent documents in Honors Projects</description>
<language>en-us</language>
<lastBuildDate>Fri, 25 Jan 2013 22:32:55 PST</lastBuildDate>
<ttl>3600</ttl>








<item>
<title>Die Darstellung der Evangelischen Kirche als eine neue Familie in Erich Loests Nikolaikirche</title>
<link>http://digitalcommons.iwu.edu/german_honproj/2</link>
<guid isPermaLink="true">http://digitalcommons.iwu.edu/german_honproj/2</guid>
<pubDate>Sat, 01 May 2010 18:14:50 PDT</pubDate>
<description>
	<![CDATA[
	<p>Throughout the end of the 1980s the Lutheran Church in the German Democratic Republic (GDR) experienced a surge of attendance and social activism in an otherwise secularized society. Research shows that the church was the sole island of dissent within the communist GDR. St. Nicolas Church in the city of Leipzig became the prototype of social involvement; visionary pastors opened their doors to every citizen and provided a space for congregations to voice concerns, organize interest groups, and plan peace protests. The construction of an open environment in which citizens could speak and interact gave rise to a greater sense of acceptance and understanding within its community. This paper will examine the extent to which Erich Loest in his novel Nikolaikirche explores the role of the Lutheran church as surrogate family through the protagonist Astrid Protter. Loest constructs a severe contrast of familial rejection and personal hindrance in Protter’s life with the acceptance and self-actualization she finds at the St. Nicolas Church’s Monday night prayer meetings. The paper will investigate how involvement from citizens like Protter seeking acquiescence led to the largest peaceful demonstration before the fall of the Berlin Wall.</p>

	]]>
</description>

<author>Beth A. Roberts</author>


</item>






<item>
<title>The Study of Two Related Polarities in Thomas Mann&apos;s Der Tog In Venedig</title>
<link>http://digitalcommons.iwu.edu/german_honproj/1</link>
<guid isPermaLink="true">http://digitalcommons.iwu.edu/german_honproj/1</guid>
<pubDate>Wed, 31 Mar 2010 11:21:41 PDT</pubDate>
<description>
	<![CDATA[
	<p>In commenting on Thomas Mann's Goethe and Tolstoi, Henry Hatfield calls that essay "an extreme example of Mann's practice, which at times seems almosst an obsession, of thinking in antitheses."</p>

	]]>
</description>

<author>Kenneth R. Olson &apos;67</author>


</item>





</channel>
</rss>
