Venus of Egypt: Symbolic Imagery of Queen Elizabeth I and Shakespeare’s Cleopatra
Submission Type
Event
Faculty Advisor
Joanne Diaz
Expected Graduation Date
2021
Location
Room E102, Center for Natural Sciences, Illinois Wesleyan University
Start Date
4-4-2020 10:00 AM
End Date
4-4-2020 10:15 AM
Disciplines
English Language and Literature
Abstract
Iconography in the Renaissance was an influential tool for individuals to portray and retain power. Queen Elizabeth I used this tool frequently during her time as ruler of England. In their journals, Fischlin and King analyze symbols in paintings of Queen Elizabeth I that center around her religious and political power, her wealth and her impenetrability. She used this type of iconography to maintain power as a female ruler under constant threat. Soon after the end of Queen Elizabeth’s reign, Shakespeare wrote his play Antony and Cleopatra. This work also displays an iconographic image of the female ruler of Egypt, Cleopatra. However, Shakespeare does not paint her as the powerful queen that Elizabeth was. Rather than simply analyze Shakespeare’s treatment of Cleopatra, I use the iconography in portraits of the Queen of England and apply it to the Queen of Egypt and create an iconographic portrait of Cleopatra that emphasizes her power, wealth, and sexuality. I focus on exemplifying how both of these royal women used the imagery of their bodies to convey a message about who they are.
Venus of Egypt: Symbolic Imagery of Queen Elizabeth I and Shakespeare’s Cleopatra
Room E102, Center for Natural Sciences, Illinois Wesleyan University
Iconography in the Renaissance was an influential tool for individuals to portray and retain power. Queen Elizabeth I used this tool frequently during her time as ruler of England. In their journals, Fischlin and King analyze symbols in paintings of Queen Elizabeth I that center around her religious and political power, her wealth and her impenetrability. She used this type of iconography to maintain power as a female ruler under constant threat. Soon after the end of Queen Elizabeth’s reign, Shakespeare wrote his play Antony and Cleopatra. This work also displays an iconographic image of the female ruler of Egypt, Cleopatra. However, Shakespeare does not paint her as the powerful queen that Elizabeth was. Rather than simply analyze Shakespeare’s treatment of Cleopatra, I use the iconography in portraits of the Queen of England and apply it to the Queen of Egypt and create an iconographic portrait of Cleopatra that emphasizes her power, wealth, and sexuality. I focus on exemplifying how both of these royal women used the imagery of their bodies to convey a message about who they are.